Being new to an area provides many opportunities to learn about one's environment. I've done many soundwalks, but not so many in downtown St. Petersburg. It was a beautiful day on Friday and a bike ride over to the Pier was in order. The area has been neglected for some time and plans exist to demolish and redesign some of the structures. I like the idea of capturing the history of a place, whether abandoned or in the process of entropy.
My initial plan was to soundwalk the length of the pier, a paved road that was much longer than I had anticipated. Walking around the Pier building,a five-story inverted pyramid-shaped structure, rendered 4:34 minutes of recording time. I explored the area a bit more and experimented with the boardwalk at the eastern most edge of the pier. I worked with the 3:19s of walking/recording time which appears in the left channel unedited. Sounds from the nearby International Airport, fisherman talking, the call of seabirds, resonant waves lapping under the concrete pier supports, creaks from the boardwalk, and other site specific field recordings are littered throughout. I also added a few ominous loops that change throughout the length of the walk/track.
In many ways, I feel this particular Disquiet Junto project is an odd extension of some of my work, namely working with the environment and using maps as points of departure for a composition, with field recordings as source material.
The map illustrates different scales of context of the St. Petersburg area. I also incorporated a sense of visual continuation throughout the image, one that reflects the spatiotemporal length of the 'track', both audio and physical motion of walking along the pier.
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